Showing posts with label john leguizamo. Show all posts
Showing posts with label john leguizamo. Show all posts

9.04.2009

GAMER.

I'd wanted to see this movie from the first time I saw the first trailer. I totally loved the concept, and it looked like excellent fun. But did it live up to its potential? Well, let's start off with the story. In the near future, a man named Ken Castle (Michael C. Hall) invents Nanex, a collection of nanobytes that are injected into your brain and allow others to control you. It first spawns a game called Society, the ultimate Sims (kind of like a real-life iLife). But then it extended into the prison program for death row inmates, to where if they can win 30 games, they're set free. It's called Slayers. Kable (Gerard Butler), with his player Simon (Logan Lerman), is the closest person to get to the 30 wins, and all he wants to do is get home to his wife (Amber Valleta) and daughter. But Castle won't have it, though he has to contend with a group of hackers (Ludacris, Aaron Yoo, and Alison Lohman). And then there's the media woman, Gina (Kyra Sedgwyk). And... hell, there's a whole lot of stuff going on, with little actually happening. The movie also includes John Leguizamo, Zoe Bell, and Milo Ventimiglia.

The movie is completely style over substance, though it tries to throw in some substance in the latter half of the film (I'll get to that later). But its stylistic nature is still pretty cool. However, I'm not sure that the Slayers stuff was done to its fullest potential, and it's really only in the first half of the film. And because the movie is more style than substance, it brings us to the film's biggest downfall: it's chaotic feel.

Especially the first half of the film, we get a whole lot of nothing. There's literally almost no story, as well as any character development or... well, anything but violence and style. Eventually, we start getting some semblance of a story, but then it doesn't really take it all to its fullest potential, either. I saw so many great places the story could have gone, but it didn't. It stayed at about as basic of a level as possible story-wise (though I suppose the bad guy motivations revealed at the end are pretty cool).

I would also have liked more out of the characters. They're all so one-dimensional, it's--dare I say--ludicrous (sorry, I couldn't help myself). The acting is fine, of course, and Michael C. Hall gives one heck of a performance for a character that could have been so boring otherwise. Though Terry Crews' Hackman was way over-the-top, though that was probably purposeful. Anyway, some characters were just a complete waste, like John Leguizamo's. He didn't really have much of a point except to extend on one portion (or type of character) of "Slayers" that is hardly mentioned or expanded on to begin with. Milo Ventimiglia must have just been desperate for a paycheck, because he just has some weird-ass role for only a couple minutes of screen time. And Kyra Sedgwick, while a key player, basically walks around cussing the whole time. There was no background to any character, no home lives, no anything. I would have liked to at least see maybe Simon's character delved into a little more, maybe add some psychology or something to it. It was just all so... flat.

Don't get me wrong, though. The movie is still quite a bit of fun. I especially like it around the middle of the movie where, essentially, Slayers meets Society. I really don't have too much to say about the movie. It was total style over substance, but a little more substance would have made the film so much better. It's entertaining for what it is, and the premise is still great (as are the last few twists of the story... which I still feel could have been delved into deeper). Oh, and be warned those of you who have a dislike for shaky cam. There's a good bit of it in the movie... and unfortunately, a lot of it during the Slayers bits, so you can hardly see what's going on half the time, anyway (those scenes should have decreased some shaky cam and added more time to make them longer and more fun). Overall, it was fun, but it could have been better.

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I Am McLovin!

6.13.2008

THE HAPPENING.

I really have no idea what to say. I was hyped for this movie for the longest time, then I started reading horrible reviews about it… and now that I’ve seen it… I feel somewhere in the middle. The Happening is about this event that happens only in the north-eastern United States that causes people to become disoriented before killing themselves. Everybody thinks there’s been another terrorist attack of some kind, but then the likelihood of that slowly starts to dwindle away. So when science teacher Elliot (Mark Wahlberg) hears what’s going on, he, his math teacher friend Julian (John Leguizamo), Julian’s 8-year-old daughter Jess (Ashlyn Sanchez), and his wife Alma (Zooey Deschanel)—with whom he’s having troubles with relationship-wise—hop a train out to go out into the middle of nowhere where Julian’s mother lives. Unfortunately, the train stops in an even more middle-of-nowhere place because they lost contact with ‘everybody’. So now the gang has to try and find a way to get away from the north-east region of the US to where it’s safe.

So, yeah, not sure what to think about it. There were some tense moments, sure, and there was quite a bit of comedy (I think it was funnier than it was scary). In fact, if the movie hadn’t taken itself so seriously, it might have made a decent horror-comedy. The gore is there, yet it isn’t there. They typically cut away right before showing much of anything (though some stuff was showed). And some of it was more ridiculous than others (such as the lion cage one).

The actual cause, which is revealed pretty early on, is borderline cool and just plain silly. At first I thought it was a bit weird and absurd, but I eventually got used to it, and the movie did garner some good suspense. Either way you look at it, though, it’s rather unique and original. Did it work, though? Semi-sorta.

The movie’s biggest downfall isn’t really in the script or the directing, though (so it really isn’t M. Night’s fault). The biggest downfall is the acting. Mark Wahlberg can be a pretty good actor when he wants to be. I’m not sure he really wanted to be this time. And I usually love Zooey Deschanel (in a lot of ways), but even she was ‘blah’ in this movie. John Leguizamo wasn’t too terrible, though. And Jess, the daughter, was really good… though that’s probably because she has all of two lines or so in the entire movie. Even worse than the main actors was the supporting cast. They could be just downright awful. So really, I blame the acting more than anything in this movie, because acting can make a bad script good or a good script awful.

That’s about all I can say about it. The music was good, and the visual style is good, as it usually is with M. Night. There’s no water-love this time around, though, and don’t go in expecting a twist ending, because there isn’t one. But that’s not really a bad thing, especially considering that most people’s main dislikes for M. Night after The Sixth Sense was that he was too predictable. But whatever. The movie isn’t a masterpiece, but I personally don’t believe it’s as God-awful as everybody has been making it out to be. I think people are just out to hate on M. Night, really. It has its moments, but some of the moments can really be negated by the acting. In other words, it’s not a total failure, but it isn’t M. Night’s ticket back into good standing with Hollywood, either.

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Stop Saying Okay! Okay.