Showing posts with label liam neeson. Show all posts
Showing posts with label liam neeson. Show all posts

1.31.2009

TAKEN.

I read a pretty good description of this movie a couple days ago that I think fits it nicely: Jason Bourne (of the movies, not the books) gets older and has a daughter, then the daughter gets kidnapped and he goes after the bad guys. Bryan Mills (Liam Neeson) used to work for the government as a sort of super-agent. But after his wife Lenore (Famke Janssen) splits with him and takes their daughter Kim (Maggie Grace) to live with her new husband Stuart (Xander Berkeley), he retires so that he can live closer to them and make up for lost time. Soon after Kim’s seventeenth birthday, her friend Amanda (Katie Cassidy) invites her to spend the summer in Paris. Reluctantly, and with conditions, Bryan signs the papers (as she is underage) to go out of the country. Unfortunately, not long after they get to Paris, both are kidnapped and sold into human sex trafficking. So now it’s up to Bryan to get to Paris and hunt down who is responsible and get his daughter back, no matter what.


I’m a fan of anything Luc Besson is involved with (writer/director/producer), from his more brilliant works (Leon, Angel-A) to his more brainless fun (The Transporter). So when I heard that he had his hand in writing this script, I knew I was there. So where in the Besson-Spectrum does it fall? It’d say it’s somewhere in the middle, teetering on the edge between. I wouldn’t say it’s fully brilliant as there is a vast expanse of action and little-to-no character development. But I wouldn’t say it’s brainless, either, because there is a depth to it.


Some will say that the movie starts off slowly, but I disagree. I think that the first twenty or so minutes are really important in doing what so many action movies these days skip: setting up the relationships between the characters. Without seeing how deeply caring and devoted Bryan is to his daughter, would we care as much as we do when he does eventually go on his rampage through Paris? I’m not so sure. And I think the setup works well to help with that.


As far as the actors go, Liam Neeson was a bit stale at times, but at other times I knew he was the only person who could have pulled off some of the dialogue he was given. Famke Janssen, for the little we see of her, does well as the pain-in-the-ass ex-wife who refuses to give Liam a break. I’ve read some people had a problem with Maggie Grace playing a seventeen year old (convincingly). But I didn’t have any issues. She’s not in the movie long enough for me to have really cared how well she did. Though that’s another thing I think the movie does well. Most Hollywood action movies always cut to the kidnapped victim and show his or her (usually her) side of the story. After Kim is kidnapped, that’s the last you see of her until her dad finds her, so you don’t know if she’s going to be dead or alive when he gets there until the truth is finally revealed. It helps with the suspense.


Overall, I thought it was pretty good. There were a few logistical issues that I had, but they weren’t so big to where it would ruin the movie as a whole. There’s some good action and some intense moments (though, oddly, for a movie about human sex trafficking, no nudity). So if you want a good action movie that actually has characters you can care about and a decent plot, I’d recommend it.


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I Am McLovin!

6.02.2008

Bizarre Noir #7: Batman Begins.

Welcome to the seventh (and final) of seven posts that will review bizarre noir movies! I hope you enjoyed the series. For more information or previous entries, check the posts below this one.

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Batman Begins.

Year of Origin: 2005.

Director: Christopher Nolan.

Why it's bizarre: Superhero!

I’m sure you probably wouldn’t think of a Batman movie as noir, but it is. It has the majority of the common elements. Batman is a detective, for all intents and purposes. He always has a strong female counterpart. He has a troubled past, and he’s a troubled person. And there’s no darker or grittier of a setting than Gotham City. And it has never been grittier than in Batman Begins. Christopher Nolan’s revamp of the series takes us back to the very beginning on how and why Bruce Wayne (Christian Bale) first became Batman. After leaving to discover the dirtiness of the world, Bruce is found by Henri Ducard (Liam Neeson), a spokesperson for a group known as the League of Shadows, led by Ra’s Al Ghul (Ken Watanabe). But when Bruce finds out what they’re really about, he backs out and returns home to Gotham to butler Alfred (Michael Caine) and childhood sweetheart Rachel Dawes (Katie Holmes). But all is not well in Gotham. Crime is higher than ever with crime lord Carmine Falcone (Tom Wilkinson) and the mysterious workings of asylum owner Jonathan Crane (Cillian Murphy). So Bruce, with the help of Lucius Fox (Morgan Freeman), gets the cool gadgets to use as Batman, and then gets the help of policeman Jim Gordon (Gary Oldman) to help bring down the crime of the city.

Obviously, there’s a load of big names in this movie, so the acting is phenomenal. Christian Bale, to me, is the perfect Batman/Bruce Wayne. The only acting downfall was Katie Holmes, but even she wasn’t completely horrible.

There were quite a few things when I first heard about this movie that I thought were mistakes. For instance, the look of the batmobile. I thought it was ridiculous… until I saw it on film and realized it was awesome. Also, as much as I love Gary Oldman, he wasn’t exactly how I pictured Gordon, but he pulled it off, as well.

The cinematography is great, dark, and gritty, as it should be. Christopher Nolan has a great style that was really fitting for the world of Batman. And all the action is cool, especially the batmobile chase through the streets and rooftops. Batman is dark and mysterious, yanking people from the sky, hiding within the shadows, etc., which is exactly how he should be.

The only negative I can really give it is that, on subsequent viewings, I find it’s way too long. I always have trouble getting through the whole thing. There’s two interconnected stories in the movie, so I know a lot is important, but there just feels like some of it could have been trimmed a bit to make it slightly shorter. Other than that, the movie is great, and I can’t wait for The Dark Knight.

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A Keanu 'Whoa'